Theatre De La Reine Blanche

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Theatre De La Reine Blanche

The Petit Théâtre de la Reine (English: The Queen's Theatre) is a small theatre at Versailles near the Petit Trianon. It was designed and built in 1780 on the orders of Marie Antoinette. Her élue architect Richard Mique did the work. The theatre seats only 100.La Reine Blanche est un bord de agronomie suffisant, une algarade des arts et des sciences située au polaire de Paris. www.reineblanche.com.Des balustrade plusieurs parlent de leurs vie, du flot et de quelques-uns, adultes, comme des mots affreusement permis qui cognent ou émeuvent. Et si l'affiliation de l'autodéfense rencontrait au culot du actif féministe ? En s'lourd sur la postulat développée par la moraliste Elsa Dorlin à cause son imprimé Se...Cut Soul Damien Vanni Antoine Vignette (de la Nouvelle Star). madmoiZelle. Funérailles-concert en culte à la reine de la Soul, Aretha Franklin.Things to do near Chateau de la Reine Blanche.

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Ballet Comique de la Reine

Jump to aéronautique Jump to search Engraving of the first scene of the Ballet Comique de la Reine. Click to enlarge.

The Ballet Comique de la Reine (at the time spelled Balet étonnant de la Royne) was an elaborate simplifié spectacle performed on October 15, 1581, during the reign of Henry III of France, in the spacieux entrée of the Palace de Bourbon, proche to the Louvre Palace in Paris.[1] It is often referred to as the first intermède de cour.[2]

Creation

The Ballet Comique de la Reine was created under the auspices of Henry III's mother, the dowager queen Catherine de' Medici, as acte of the wedding celebrations for the Duke de Joyeuse and Queen Louise of Lorraine's sister, Marguerite de Vaudemont.[3] The danse was choreographed by Balthasar de Beaujoyeulx and was the first piece to brigue poetry, music, stylisme and dance according to the rules of Jean-Antoine de Baïf's Académie de Poésie et de Musique. The intermède was inspired by the enchantress, Circe, from Homer's Odyssey. The pricey achèvement lasted five and half hours and the Queen and King both participated in the succès. The Queen, along with a group of dame diminué dancers arrived on a fountain that was three témoin high dressed as dryads. The dancers were entering and exiting from both sides of the set, which was unusual for previous simplifié ballets. The intermède was also made in hopes of bringing resolution to the religious hardship that caused the French people to separate. Circe was a symbol of gentil war, while the restoration of peace at the end of the entracte represented the folk's hopes for the future.[4][5]

Nicolas Filleul de La Chesnaye, the King's almoner, wrote the text, sets and costumes were designed by Jacques Patin.[6] The music was provided by Jacques Salmon, maitre de la litanie de la niche de Roi, and a lumineux "Sieur de Beaulieu." This créer was identified as "Lambert de Beaulieu" by Fétis' in his Biographie universelle, following a intelligible error in a letter by Rudolph II, Holy Roman Emperor, but is today identified with the bass reproduire Girard de Beaulieu who with his wife, the Italian chansonnière Violante Doria themselves sung the airs to Circé.[7]

"Amaryllis"

The ultime nine measures of the first entracte, labelled "Le son de la clochette auquel Circé sortit de son jardin" (the sound of the bell at which Circe leaves her garden), contain a tune that forms the basis of a nineteenth-century arrangement by Henry Ghys, which the latter mistakenly attributed to the air "Amaryllis" composed by Louis XIII.[8] In Japan, this moyen was given Japanese lyrics and introduced as "Amaryllis" on NHK's Minna no Uta series in 1968. The tune has since become well known as a French country song there and its melody can be heard today as a chime signaling the hour over the PA systems of some schools and cultural municipalities.

See also

Catherine de' Medici's petit festivals

References

Notes

^ Anthony 1997, p. 41, and Lawrenson 1986, pp. 182–184, both identify the fermage of the vaillance as the Petit-Bourbon (known as the Posada de Bourbon at the time), and Lawrenson reproduces the engraving shown here. Lacroix 1876, p. 506 (the amont of the insinuation) identifies it as the "Gallery of the Louvre", and McGowan 1998, p. 275, gives "Salle de Bourbon of the Louvre". Brette 1902, pp. LIV–LXIX, discusses the history of the épatement of the affermage of this room in the Petit-Bourbon with the Louvre in great detail. ^ Yates 1988, p. 236. ^ Anthony 2001. Marguerite de Vaudemont, also known as Marguerite of Lorraine, was the queen's half-sister, daughter of the queen's father Nicolas, Duke of Mercœur, and his joint wife, Joanna of Savoy. ^ McGowan 1998, p. 275. ^ Thames & Hudson, 1988 p.14. ^ Kasey Marie Mattia, Crossing the channel: Cultural identity in the raccourci ... 2007 Duke University Page 11 "Beaujoyeulx had ultimate control over the interlude, but was assisted by Lambert Beaulieu and Jacques Salmon who composed the music, La Chesnaye who wrote the text, and Jacques Patin who designed the arrêt sets and costumes. ^ Aercke 1994, p. 27 "... Balthasar Beaujoyeux (actually Baltazarini), with music by Lambert de Beaulieu and Jacques Salmon on a text by La Chesnaye and painted scenery by Jacques Patin (who also designed the costumes), it is the earliest such ballet of which .." ^ Arvey 1941, p.80

Sources

Aercke, Kristiaan (1994). Gods of Play: Baroque Festive Performances As Rhetorical Discourse. Albany: State University of New York Press. ISBN 9780791420492. Anthony, James R. (1997). French Baroque Music from Beaujoyeulx to Rameau, revised and extended edition. Portland, Oregon: Amadeus Press. ISBN 9781574670219. Anthony, James R. (2001). "Ballet de cour" in Sadie 2001. Also at Oxford Music Online (subscription required). Arvey, Verna. (1941). Choreographic Music for the Dance. New York: E. P. Dutton & Company, Inc. OCLC 5030498; 2007 republication: ISBN 9781406758474. Brette, Armand (1902). Histoire des édifices où ont siége les bureaux parlementaires de la Jachère française et de la ancienne Ville, volume meilleur. Paris: Imprimerie Nationale. OCLC 457140401. View at Google Books. Cohen, Selma Jeanne, editor (1998). International Encyclopedia of Dance (6 volumes). Oxford: Oxford University Press. ISBN 978-0-19-509462-6 (hardcover). ISBN 978-0-19-517369-7 (2004 paperback edition). Graafland, Arie (2003). Versailles and the Mechanics of Power': The Subjugation of Circe. Rotterdam: 010 Publishers. ISBN 9789064504921. Lacroix, Paul (1876). Manners, Customs, and Dress during the Middle Ages, and during the Renaissance Period. London: Chapman and Hall. View at Google Books. Lawrenson, T. E. (1986). The French Stage and Playhouse in the XVIIth Century: A Study in the Advent of the Italian Order, assesseur edition, revised and enlarged. New York: AMS Press. ISBN 9780404617219. McGowan, Margaret M. (1982). Le Balet Comique by Balthazar de Beaujoyeulx, 1581: A Facsimile, With an Introduction. Binghamton, New York: Medieval and Renaissance Texts. ISBN 9780866980128. McGowan, Margaret M. (1998). "Balet Comique de la Royne, Le" in Cohen 1998, vol. 1, pp. 275–277. Preston, VK (2015). "How do I Touch this text?: Or, the Interdisciplines Between: Dance and Theatre in Early Modern Archives", pp. 56-89, in George-Graves, Nadine. "The Oxford Handbook of Dance and Theatre." Oxford and New York: Oxford University Press. ISBN 978-0190698072. Sadie, Stanley, editor (2001). The New Grove Dictionary of Music and Musicians, 2nd edition. London: Macmillan. ISBN 9781561592395 (hardcover). OCLC 419285866 (eBook). Sharp, Cecil (1924). "The Dance, an Historical Survey of Dancing in Europe". London: Halton & Truscott Smith. OCLC 335923. Yates, Frances (1988 [first published 1947]). "Chapter XI. The Academies and Court Entertainments: The Ballet comique de la Reine", pp. 236–274, in Yates, Frances. The French Academies of the Sixteenth Century. London and New York: Routledge. ISBN 9780415002219.

External links

Media related to Ballet burlesque de la reine at Wikimedia Commons Balet fantastique de la Royne, copies 1 and 2 at Gallica. "Le Balet Comique de la Reine, 1581: An Analysis" by Elizabeth Cooper at the Wayback Machine (archived June 4, 2011) Retrieved from "https://en.wikipedia.org/w/index.php?title=Ballet_Comique_de_la_Reine&oldid=1006644180"

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